Wednesday, December 28, 2011

Elixir Polyweb Custom Light Acoustic Guitar Strings 8 Pack

!±8±Elixir Polyweb Custom Light Acoustic Guitar Strings 8 Pack

Brand : Elixir
Rate :
Price :
Post Date : Dec 28, 2011 14:21:33
Usually ships in 1-2 business days



Gauges: 11-15-22-32-42-52.Elixir strings with original Polyweb coating: •Have a balanced and smooth response •Feel comfortably smooth and reduce finger squeakElixir acoustic guitar strings are the first major innovation in strings in over forty years. Now only can you enjoy the playing ease of great note-bending ability, they deliver what they promise: great tone and long life no matter what guitar you put them on or how often you play.Elixir strings are covered with an ultrathin, space-age polymer tube that contacts the string on the tops of the windings only. This leaves the all-important winding-to-winding-to-core space free from the fear of the enemies of tone. Most players report that Elixir strings keep sounding great 3 to 5 times longer than other guitar strings......

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Monday, December 12, 2011

ATP Tennis Masters Shanghai 2007 - Questions Anyone?

!±8± ATP Tennis Masters Shanghai 2007 - Questions Anyone?

The more I see the round robin system in the ATP final tournament the less I like it! Simply because at a certain point of the tournament it leads to some very questionable matches like the one between Andy Roddick and Roger Federer. It is obvious to me that since Francisco Gonzales had lost to Nikolai Davidenko, Roddick was automaticaly qualified winning or losing, so when he lost the 1st set against Federer he figured he would save his energy for the semifinal against David Ferrer and let Federer deal with nemesis Rafael Nadal by NOT FIGHTING! This does not mean Roddick would've avoided a pummeling from the Swiss even if he had tried his very best. The point is, in a regular ATP tournament under the professional code of conduct Andy Roddick would have been heavily fined for lack of performance against Roger Federer (no fighting!).

"ATP Officcial Rule Book

7.03 PLAYER CODE of CONDUCT (CODE)

4) offenses

h) Best efforts

I) A player shall use his best efforts during the match when competing in a Tournament. Violation of this Section shall subject a player to a fine up to ,000 for each violation.

II) For purposes of this rule, the Supervisor and/or the Chair Umpire shall have the authority to penalize a player in accordance with the Point Penalty Schedule. In circumstances that are flagrant and particularly injurious to the success of a Tournament, or are singularly egregious, a single violation of this Section shall also constitute the Player Major Offense of Aggravated Behavior."

Aside from that "incident" I must focus my attention on Roger Federer and his performance. Sublime?

Forgetting that Francisco Gonzales played the match of his life against Roger Federer in the first round robin match and in the process showed that if you stay close to the baseline and punch away toe to toe with the "King" (just like Nalbandian does) and put his "Majesty" on the run, you can come out a winner from the brawl! As I have mentioned in the past, you have to take your chances on Rogers second service, which Francisco did. I guess someone in the entourage has been reading my articles! A check must be in the mail for me! :))

Do we have to bow to the "king" and take our hats off just like the mosqueteers did to king Louis? Nikolay Davidenko with a game to bring Federer to exasperation, but with less nerve then a chinchilla, once more double faulted over and over (just like at the US Open) to hand the win to Roger on a silver platter. Does this mean Federer did not play well?...I dare to say Federer was ripe for another defeat after bowing to Nalbandian twice in Madrid and Paris, and to Gonzales not even 48hrs before. He just did not look the usual Federer full of confidence. Nevertheless a win is a win and Roger fully deserved that one.

Once Roger Federers bruised ego was a little restored with that win, there was nothing better to boost his confidence then a few more gulps from the elixir of victory and sure enough Roddick obliged. The score speaks louder then words; R Federer (SUI) d (5)A Roddick (USA) 64 62 .

Leaving Roddick licking his wounds, Roger Federer had more important things on his agenda, which was to teach another lesson to one of his most dreaded foes, Rafael Nadal. Oh boy, did Roger want to beat that jumping Spaniard with his fist pumping and loud screams "Vamos", plus the "Olés" from the crowd! No, Nadal did not know what was coming but, by the time he realized it the express letter was delivered and the bottom line read (1)R Federer (SUI) d (2)R Nadal (ESP) 64 61.

Looking at the spotty performances of late from Rafael one can infer his career is in a rut. He knows he has to improve his net game and get closer to the baseline. But the challenges are; does his coaching staff know what a volley is?...or do they have any idea how to train the attack?...or yet, what is a serve and volley combination? I know your head is shaking side to side saying, no! Furthermore at the baseline, Nadal's large wind-up swings and the heavy topspin in his ground strokes need plastic surgery for efficiency versus effort. To perform all of those laborious tasks Nadal needs time, so he gets 3 to 4 meters behind the baseline and that is something Federer and "others" have learned to pick on and march forwards inside the court on every short ball Nadal hits and spank them up the lines then finish with a volley. This is what I have been waiting for Federer to do for the last 4 years!

Next was David Ferrer, a valliant worthy opponent but, Roger Federer was not about to take any prisioners from what was left of the battered Spanish Armada and Ferrer was going to fall prey to that dictum. ATTACK!!...and attack it was, Roger combined serve and volley with the usual dose of measured slices that I have not mentioned yet but, which are so effective, that the Davidenkos, Roddicks, Nadals and the whole of the ATP tour players before their matches against Federer, break into tears, get on their knees and pray he plays more topspin backhands on the day just to allow them to look a little better! Federer has no time for such pleas nor mercy and punishes them ruthlessly!...and then to add insult to injury Federer finally decided that running extra miles every match is nonsense and opted to shorten up points by heartlessly putting away short balls at every opportunity, using the down the line approach-shot and finally throwing the serve and volley into the mix as well. Hallelujah!

Here is how Alberto Eleta a die hard fan of Roger describes it from his point of view:

"Well Sergio, it looks like Roger has finally owned the game at the net, and he now is no longer suspect on his forehand volley. It is a thrill to see him adding a new dimension to his game, wich is now nearing to a complete arsenal of weaponry. I watched him lose to Nalbandian and Gonzalez, but he didnt display the game he closed the shanghai session with against Ferrer. I guess he`s finally understood that at the net is where he must be to win big and consistently from now on. I have seen him attack like never before from positions he would only keep on rallying from the baseline. If he can use his backhand slice with more power (or a flatter backhand) he could even attack second serves like Mac used to do. Guess he hasnt realized yet how good his slice can get, and if he can combine it from the baseline with a flatter backhand he would make more opportunities to attack by forcing short balls from his opponents. If he can get to that level, he would probably become the greatest tennis player in history.

Regards, Alberto."

All I have to add is...and Federex delivered the package to David in a hurry; (1)R Federer (SUI) d (6)D Ferrer (ESP) 62 63 62.

Enjoy "The Game". :-)


ATP Tennis Masters Shanghai 2007 - Questions Anyone?

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Saturday, December 3, 2011

The Secret Of Why A Weissenborn Guitar Sounds So Amazing

!±8± The Secret Of Why A Weissenborn Guitar Sounds So Amazing

I have been buying and playing guitars for around thirty years and it's true to say that I certainly have owned quite a few! My real passion is guitars and I have been fascinated not only how they sound but I can always tell how good they sound by the reaction of people when they hear some of the guitars that I have owned and played....not of course, because of how I play but how the sound of a certain guitar seems to really 'ring a bell' with them. My dobro,for example has really good reactions from people even as you take it out of the case..they seem to be fascinated by the lairy, shiny, chrome, almost kitsch effect that this thing has....it's actually a good job it sounds ok too!

I have always watched this reaction and been interested by it and have learned over the years that the better quality the guitar, the easier it is to play and because of the better sound they produce it somehow it makes you want to play all the better...a wonderful chain reaction!
One of the most amazing reactions I have seen in past years to this kind of thing has been the effect that guitar maestro Jeff Lang produces in people from his truly great weissenborn that David Churchill of South Australia made for Jeff. It is positively mind boggling to see people really get off on this combination and you cant help but come away from one of Jeff's performances without a really deep 'feelgood 'feeling inside.You only have to hear Jeff on his album "disturbed folk"to know what I mean!

All of this started me thinking not only that as a guitar player that I wanted to own one of these guitars, but why do people react so positively to the sound of a weissenborn? The sound is, of course, ethereal, spine chilling,gutsy and haunting all at the same time and seems to suck a feeling of emotion from you didn't know was there!

In the end I couldn't stand it any more and because I simply could not afford to buy one decided to make one instead.The upshot of this effort was much more surprising than I could have imagined. Thanks to the wisdom of my buddy, Kim Hancock of Tamborine Mountain in Queensland, a guitar maker of note, my weissenborn was made from Austalian Maple, actually a close cousin of Koa wood, the preferred timber for these type of guitars.The maple was a terrific choice ,as it turned out. This timber has a beautiful 'flame' and has a lightness that belies it's strength. This is a killer combination, I believe and with a 'thin as you dare' soundboard, my Weissenborn has startled me with its huge sound and sweetness from the start. No one was more surprised than me, I can tell you. The guitar when strummed, trembles from tip to toe, if one can use that expression! The sustain is probably twice as long as my Taylor which is also a great sound and is probably twice as loud too. Ok, so what makes the sound so so different from other guitars?

The hollow neck of course! ....but what actually happens inside that thing? My theory is that the sound waves that are produced when the guitar is played resonate around the smooth inside of the guitar and as they hit the interior bounce back ...but there are more and more soundwaves being produced from further playing and naturally they collide with each other, probably at quite a rate..I can tell you, the way the guitar trembles proves to me at least there is some serious energy being produced inside! These waves must compress and produce turbulence like any other fluid when they meet and of course as they enter the tapered hollow neck are compressed further...the only exit for these waves is ,of course , through the sound hole ...out they pour, replete with delicious overtones, in a wave of utter joy!

The other contributing factor are, I believe, razor sharp scalloped braces which I believe further'cut' the sound waves and allow greater flexibility of the soundboard and a set of "Elixir"nanoweb strings which, of course, instantly transform ANY guitar for the better! Think I'm exaggerating? well, see for yourself! I have placed a clip of the Weissy being played on my new site http://www.buildaweissenborn.com. You be the judge!


The Secret Of Why A Weissenborn Guitar Sounds So Amazing

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Monday, November 28, 2011

Jazz Guitar Strings - The Right Ones For That Perfect Sound

!±8± Jazz Guitar Strings - The Right Ones For That Perfect Sound

Serious jazz players are quite particular about the jazz guitar strings they choose and use. They expect the exact sound they want. There are different kinds of jazz guitar strings available with reputed manufacturers like Thomastik-Infeld, D'Addario, Elixir, etc. Finally it all boils down to choosing the jazz guitar strings that sound just right for the user.

Types Of Jazz Guitar Strings

Flatwound - probably the most popular for Swing. These are usually flat ribbon wound strings with a polished nickel surface giving the player the flexibility and the kind of smooth sound that is expected.

Roundwound - for BeBop jazz. While several jazz players don't really go for roundwound strings, manufacturers like Thomastik-Infeld have wooed jazz players with the way they manufacture these. These strings are dense, although of thin diameter and play wonderfully at high frequencies, so much so that the tone has the purity of piano notes.

Most high quality jazz guitar strings are crafted with a core of carbon steel rather than the usual hex cores. This makes them play better and also vibrates well without the 'preferred motion axis'. These string ends are wrapped in silk to keep the winding intact and to also increase their life.

For those who play blues jazz - and practically everyone who plays jazz does play the blues - the flatwound chrome strings they use are the most preferred. This is because these strings do not create the finger noise associated with other strings, resulting in easy play and better style. But the half round wounds are also popularly used, as they seem smoother and there is more clarity of sound with them compared to flatwounds, making them sound great when playing the blues.

Making The Choice For Jazz Guitar Strings

It is vital, as any jazz guitar player knows, to choose the strings that work best for you, and also make sure you replace them properly when necessary to avoid your guitar detuning. The main things to remember in making your choice are: the brand you select, the composition of the strings, string gauge, and the type of winding.

As far as brand is concerned, you can try a few and choose the ones you feel most comfortable with. As mentioned earlier, the most reputed are Thomastik-Infeld, D'Addario, Elixir, and others.

Guitar strings are usually composed of a core high carbon steel wire with a wrap wire wound around them, which influences the sound of the guitar strings. This material could be nickel, considered the best, or stainless steel for brighter tones, or phosphor bronze for a warmer sound mostly used in acoustic guitar strings. Most classical guitars have nylon strings.

String Gauge refers to the diameter of the first and last guitar string since most guitar strings are sold as sets. Jazz guitar string sets are usually available as .012 - 0.054-inch diameter, which is heavier than those used for other music styles, so that they result in a thicker tone with increased sustain. Most jazz guitarists just starting out to play use lighter sets to first get used to them and then move on to the heavier type. It should be borne in mind that as you progress to an advanced playing level, and switch to a string set of heavier gauge, you must also adjust your guitar neck and the intonation.
The roundwound type of strings have a louder and brighter sound while the flatwound type has a flat ribbon wire with duller, smoother sound. Most jazz guitar strings are of the flatwound type.

Some Jazz Guitar String Maintenance Tips

To get your jazz guitar strings to last longer, remember to wipe them down using a dry cloth after each playing session. It is better to replace your strings just as they begin to wear out. Preferably change the entire set since changing just that one broken string can lose the sync of your sound.


Jazz Guitar Strings - The Right Ones For That Perfect Sound

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Saturday, November 5, 2011

BULK 12-sets Elixir Nanoweb Light-Heavy Gauge Electric Guitar Strings (# 12077)

!±8±BULK 12-sets Elixir Nanoweb Light-Heavy Gauge Electric Guitar Strings (# 12077)

Brand : Elixir
Rate :
Price :
Post Date : Nov 06, 2011 02:18:38
Usually ships in 1-2 business days



Elixir Electric Guitar Strings with Ultra-Thin Anti-Rust Coating.

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